皮諾曹誕生的故事觀後感

『壹』 求動畫片匹諾曹的英文影評

Such animation seems to be dwindling today when looking at- and thinking a lot about- Pinocchio, one of the real landmarks that Walt Disney ever proced. It might have not sparked up as much fascination when it was first released as Snow White and Dumbo did (apparently this and Fantasia did poorly on first release), but over time it's definitely got its place in the pantheon of truly wonderful works by the company. It tells a story that even babies can grasp- something that isn't really real that wants to be so for his creator. In fact, this is probably one of the most palatable stories for kids, about the dire straits of not just trying to fit in, but being a kid and still having to learn responsibilities, truth and courage. Of course, few kids will ever see their friends turn into donkeys or get thrown into the belly of a whale. But it's such out-of-this-world things that make the film so fantastic and terrifying in equal measure. It might lack the overall surreal whammy of Dumbo and Alice in Wonderland, yet in a small group of leaving a lasting impact Pinocchio has its unique bits.

It's got about all that someone could ask for with an animated film, for kids and alts alike. It's got plenty of colorful side characters, both sweet and clumsy and goofy and smart (all taking up the animals like Figaro, the Goldfish, and especially the iconic Jiminy Cricket), as well as ignorant, villainous and evil (Lampwick, Stromboli and Honest John among others). All of these characters are so rich in their simple characterizations that the combination of the old vocal talents- meant more for direct style and appearance instead of star power like in todays animation- and the distinct look of each character, make them all compelling to one degree or another. Just thinking about the scenes with Stromboli, for example, make me think that there had to be someone that imposing and larger-than-life in appearance acting it out as opposed to just the drawing being that. Only the Blue Fairy is the bland type, drawn in the Snow White style. But then the rest of the picture- particularly for Pinocchio and Gepetto- is up for grabs with whatever can be done with them.

So much emotion actually comes out of scenes. And it alternates very well, much as in fairy tales and other fantastical fiction. Pinocchio performs "I've got no strings" in one scene, which is one of the typical highlights, and then the next scene such sweetness gets contrasted with the defeat imposed by the evil Stromboli. What leaves the biggest impression, however, is Fantasy island, where all the boys who don't want to go to school go to, and soon enough (from Cricket's own words), become donkeys. I would probably rank that transformation scene of Lampwick's, by the way, as one of the top 5 scenes in any animated effort ever proced; it starts off kind of amusing, the way Pinocchio tries to put down the cigar, and then becomes like a child's true nightmare as we see his full-on transformation. It's an example of using abstractions that always work best in fairy tales, and somehow has become lost among the constant barrage of juvenile CGI films as of late. Seeing work like this again reminds one of the completeness given in well-rounded (if 2-dinemnsional) stories.

It's got action, music, pomp and circumstance, countless chances at very goofy gags and silly puns, and somehow it all works just as well- if not better in a way- as an alt as when I was a kid. Is it cheesy at times and maybe here and there hitting points home a little hard? Sure. But I never had any dis-liking to the characters, never really felt that I was being cheated with motivations or in some kind of truth in the un-reality of it all. Not to sound cheesy myself, but it is a timeless kind of picture, with a story that when told well can strike a chord with just about anyone willing for the experience. It's old-fashioned sensibilities are still resonant, and the proction values are all top-notch.

『貳』 韓劇匹諾曹 觀後感英語

Sorry, I have not seen it yet, and I will give you my opinions if I have time to watch it.

『叄』 《木偶奇遇記》的英文讀後感怎麼寫

The Adventures of Pinocchio is a novel for children.It was written by the Italian author
Carlo Collodi.It』s about the naughty adventures of Pinocchio and his poor father.An angel
gives life to Pinocchio,so that he starts his adventures.If he wanted to become a real
boy,he must pass the test of courage,loyalty and honesty.During his adventures,he cuts
class for fun and treated because of greed.He turns into a donkey because of his
naughtiness.Besides,he is punished.Once he tells a lie,his nose would be longer.At
last,he falls into the belly ofa big whale and meets Geppetto accidentally.After the
adventures,Pinocchio finally grows up.He turns to be honest,hard-working and kind and he
becomes a real boy.This story tells us that honesty,hard-work,courage and kindness are
the most important to us.

木偶奇遇記是一本兒童小說。它是由義大利作家寫的卡洛·科洛迪。它是關於匹諾曹淘氣歷險和他可憐的父親，一個天使賦予生命的木偶，因此他開始了他的冒險。如果他想成為一個真正的
男孩，他必須通過勇氣，忠誠和誠實的考驗，在他的冒險，他削減因為他是一個貪婪的，他變成了一頭驢。頑皮的。此外，他受到懲罰。只要他一說謊，他的鼻子就會變長的。最後，他掉進一隻大鯨魚的肚子，偶然遇到了傑佩托。後冒險，皮諾曹終於長大了，他變得誠實，勤奮和善良，他這個故事告訴我們，誠實、勤奮、勇敢和善良是一個真正的男孩。對我們來說最重要的。

『肆』 觀看匹諾曹與小鈴鐺木偶劇的觀後感。

觀後感其實很好寫,有套路的,一般來說800字到100字,主要分以下幾個步驟
1.開篇立意,簡單介紹所觀看的影片.
2.表達自己的觀點,分第一點第二點等序號方式,每個觀點後舉影片中的例子,加強自己觀點.
3.結尾的時候結合影片簡略總結自己的觀點,也可以提幾個影片當中不足的地方.

『伍』 動畫片《木偶奇遇記》觀後感

故事講的是，老木匠傑佩托把木匠櫻桃師傅送他的一段木頭雕刻了一個小木偶，起名為匹諾曹。小木偶會跳舞，又會耍劍，還會翻跟斗。匹諾曹把腳擱在火盆上睡覺，醒來兩只腳都被燒掉，他賣掉識字課本去看木偶戲，後來因為不聽蟋蟀的忠告，落在了殺人強盜手裡，被天藍色頭發的美麗仙女救下。匹諾曹希望有一天自己能夠成為一個真正的男孩子，仙女答應了他的要求，但他必須學會誠實、勇敢、不自私自利並且派了小蟋蟀跟在他身邊。匹諾曹因為說謊而遭受懲罰，鼻子變得越來越長。從木頭到木偶，從木偶到長出驢耳朵到變成真正的驢子，到被推下海，給魚吃了，重新變成木偶，然後又被魚吞了……經過許多艱難與考驗，匹諾曹終於通過善良的仙女實現了他的願望，不再是個木偶，而變成了一個真正的男孩子。
這個故事說明人不要說謊，要有孝心、愛心、信心與勇氣，才能真正成長，在社會立足。孝心是指匹諾曹對給予他「生命」的「父親」傑佩托的愛，這種愛其實貫穿了整部電影或書的始終。匹諾曹一直是愛傑佩托的，只是有點兒小淘氣而已。最後他也是出於對傑佩托的愛與歉疚，才下定決心改過自新的。至於愛心，可以舉出匹諾曹救了因追捕自己而差點溺水而亡的狗狗阿利多羅的例子看出。他的本質是一個寬宏大量、富於愛心的小男孩。而信心和勇氣，匹諾曹帶領著傑佩托逃出鯊魚的肚皮就可見一斑了。說謊一度是匹諾曹的缺點，但是他勇於改正。改正後，他自然能成為一個有血有肉的真正好孩子了。這部電影改編自義大利兒童文學作家科洛迪的作品，極具義大利童話特色，結合義大利民族熱烈而又奔放的性格，融入了義大利語地中海濱盛放的鮮花一般豐富而美麗的詞彙，對正義、善良、慷慨、真誠、勤勞、勇敢等優秀品質熱情歌頌，同時對虛偽、邪惡、兇殘、貪婪、狡猾、懶惰、怯懦等醜陋品質進行了譴責，比一般浪漫輕松的歐洲童話更具中世紀的古典色彩。電影誠然是很好看，如果能看義大利語原版的書就更好了。讓我們從第一章開始吧。Come andò che Mastro Ciliegia, falegname, trovò un pezzo di legno, che piangeva e rideva come un bambino......

『陸』 匹諾曹歷險記觀後感

我讀了一本書，書名叫《木偶奇遇記》。它是一本童話故事，主人公皮諾曹是木匠櫻桃師父製作的一個調皮的小木偶，它的頭腦簡單、缺乏主見、好奇心強，但他又天真無邪、心地善良、聰明可愛，經過很多事情之後，皮諾曹終於由木偶變成了一個真正的孩子。讀完了這個童話故事，我非常喜歡，覺得很有趣，也很感動。希望同學們閑暇時，能去看一看。

『柒』 木偶奇遇記讀後感

這個暑假，我看了一本書——《木偶奇遇記》，這本告訴我戰勝困難，走出困境，成功就會屬於你。
這本書的故事是這樣的：一個叫傑佩羅的老頭用木頭雕刻出了一個木偶，給他起名叫皮諾曹。皮諾曹一來到這個世界就到處亂跑，他愛搞一些惡作劇，做一些壞事，還愛撒謊。皮諾曹雖然一直想做個好孩子，可是又經不起誘惑，他逃學、撒謊……幾次上當可還是屢教不改。皮諾曹的爸爸給他錢去上學，皮諾曹來到學校，學校里的孩子都嘲笑皮諾曹是個沒腦子的木偶，皮諾曹很不服氣，決心要做全班同學的好榜樣。經過幾個月的不懈努力，皮諾曹取得了優異的成績，成了學校里人人皆知的好學生。皮諾曹雖然一直想做個好孩子，可是又經不起誘惑，被幾個壞孩子騙到海邊，誤打誤撞打傷了其中一人，又要逃離警犬的追捕。他受狐狸和壞蛋貓的欺騙，差點被它們弔死，幸虧仙女解救了他，仙女教育他不能說謊，每當他說一次慌他的鼻子就長一截，他連撒三次慌，鼻子長得在屋子裡都不能轉身了。後來，他又被賣到玩具國，變成一頭驢子，又在仙女的幫助下，變回了木偶。最後，他在鯊魚腹中意外與父親重逢，並設法逃了出來。經過了這么多離奇的曲折以後，小木偶變得很乖，他每天去做工，有空還要學習，終於有一天成為了一個真正的小男孩。
以前我也愛貪玩，一玩起來就把自己該做的作業都丟在了腦後，如果有人來邀請我去玩具城玩，我也許也會像皮諾曹一樣跟著他走。到底學習比游戲要枯燥得多。現在我知道了，玩要有個度，尤其是外出遊玩前，一定要得到家長的同意，並按時回家，不讓爸爸、媽媽操心。
《木偶奇遇記》的故事展示給我一個個鮮活的事例，時時提醒著我，怎樣做一個又聽話又懂事的孩子。

『捌』 木偶奇遇記的讀後感怎麼寫

我讀了《木偶奇遇記》以後有很多感想。
第一個感想是做人要誠實。在文中匹諾曹因為說謊被仙女懲罰了，長了長鼻子，匹諾曹說他再也不說謊話了，最後仙女原諒了他。盡管現在我們說謊不會像匹諾曹一樣長出長鼻子了，但「仙女」也會懲罰我們，這個「仙女」就是我們的心靈。我們會因為說謊而臉紅，而慚愧，所以我們也要向匹諾曹一樣，改掉說謊的毛病，做一個誠實的好孩子。
第二個感想是不要被誘惑。文中的匹諾曹就是因為被兩個壞人騙去當馬戲團的演員，兩個壞人說這樣會掙到很多的錢，他就輕意相信了，所以他被馬戲團長抓到籠子里了。我們現在是小學生，很容易被壞人欺騙。所以，我們要認真思考、仔細觀察，才不能被這樣的壞人所誘惑，成為一個不被壞人欺騙的好學生。
第三個感想是做人要勇敢。文中的匹諾曹和他的爺爺被大鯊魚吃到肚子里了，匹諾曹和他的爺爺坐著木伐在鯊魚打瞌睡的時候沖了出來，可是木伐散了，匹諾曹以為他和爺爺會被沉到海底的，可是他一直感覺有一種力量讓他往海面上浮，然後他緊緊地抓住了爺爺，他們就一直浮到了海面得救了。我們以要勇敢地對待困難，在困難面前不要慌張，慌張會人的心很亂，辦不好事。要是心不亂的話，就能把困難解決掉。

『玖』 木偶奇遇記觀後感200字左右

很久之前，我讀了《木偶奇遇記》這本書，讓我至今記憶猶新。
從前，有一位老木匠，他用專幾根木頭做成屬了一個木偶，取名叫皮諾曹。皮諾曹是一個非常調皮、搗蛋的壞孩子，常常讓老木匠操心，他最大的缺點就是不誠實、愛撒謊，仙女施了魔法把他的鼻子變得又紅又長，因此他被老木匠趕出了家門，受盡了苦難。從這個故事中讓我明白了，做人一定要誠實，不能象皮諾曹那樣愛撒謊，愛撒謊的孩子是一個道德品質很差的人，即使學習成績名列前茅，大家也不願意和他交朋友。我們少先隊員，胸前佩帶著鮮艷的紅領巾，更應該從小養成好習慣，做一個誠實守信的好孩子