皮诺曹诞生的故事观后感
『壹』 求动画片匹诺曹的英文影评
Such animation seems to be dwindling today when looking at- and thinking a lot about- Pinocchio, one of the real landmarks that Walt Disney ever proced. It might have not sparked up as much fascination when it was first released as Snow White and Dumbo did (apparently this and Fantasia did poorly on first release), but over time it's definitely got its place in the pantheon of truly wonderful works by the company. It tells a story that even babies can grasp- something that isn't really real that wants to be so for his creator. In fact, this is probably one of the most palatable stories for kids, about the dire straits of not just trying to fit in, but being a kid and still having to learn responsibilities, truth and courage. Of course, few kids will ever see their friends turn into donkeys or get thrown into the belly of a whale. But it's such out-of-this-world things that make the film so fantastic and terrifying in equal measure. It might lack the overall surreal whammy of Dumbo and Alice in Wonderland, yet in a small group of leaving a lasting impact Pinocchio has its unique bits.
It's got about all that someone could ask for with an animated film, for kids and alts alike. It's got plenty of colorful side characters, both sweet and clumsy and goofy and smart (all taking up the animals like Figaro, the Goldfish, and especially the iconic Jiminy Cricket), as well as ignorant, villainous and evil (Lampwick, Stromboli and Honest John among others). All of these characters are so rich in their simple characterizations that the combination of the old vocal talents- meant more for direct style and appearance instead of star power like in todays animation- and the distinct look of each character, make them all compelling to one degree or another. Just thinking about the scenes with Stromboli, for example, make me think that there had to be someone that imposing and larger-than-life in appearance acting it out as opposed to just the drawing being that. Only the Blue Fairy is the bland type, drawn in the Snow White style. But then the rest of the picture- particularly for Pinocchio and Gepetto- is up for grabs with whatever can be done with them.
So much emotion actually comes out of scenes. And it alternates very well, much as in fairy tales and other fantastical fiction. Pinocchio performs "I've got no strings" in one scene, which is one of the typical highlights, and then the next scene such sweetness gets contrasted with the defeat imposed by the evil Stromboli. What leaves the biggest impression, however, is Fantasy island, where all the boys who don't want to go to school go to, and soon enough (from Cricket's own words), become donkeys. I would probably rank that transformation scene of Lampwick's, by the way, as one of the top 5 scenes in any animated effort ever proced; it starts off kind of amusing, the way Pinocchio tries to put down the cigar, and then becomes like a child's true nightmare as we see his full-on transformation. It's an example of using abstractions that always work best in fairy tales, and somehow has become lost among the constant barrage of juvenile CGI films as of late. Seeing work like this again reminds one of the completeness given in well-rounded (if 2-dinemnsional) stories.
It's got action, music, pomp and circumstance, countless chances at very goofy gags and silly puns, and somehow it all works just as well- if not better in a way- as an alt as when I was a kid. Is it cheesy at times and maybe here and there hitting points home a little hard? Sure. But I never had any dis-liking to the characters, never really felt that I was being cheated with motivations or in some kind of truth in the un-reality of it all. Not to sound cheesy myself, but it is a timeless kind of picture, with a story that when told well can strike a chord with just about anyone willing for the experience. It's old-fashioned sensibilities are still resonant, and the proction values are all top-notch.
『贰』 韩剧匹诺曹 观后感英语
Sorry, I have not seen it yet, and I will give you my opinions if I have time to watch it.
『叁』 《木偶奇遇记》的英文读后感怎么写
The Adventures of Pinocchio is a novel for children.It was written by the Italian author
Carlo Collodi.It’s about the naughty adventures of Pinocchio and his poor father.An angel
gives life to Pinocchio,so that he starts his adventures.If he wanted to become a real
boy,he must pass the test of courage,loyalty and honesty.During his adventures,he cuts
class for fun and treated because of greed.He turns into a donkey because of his
naughtiness.Besides,he is punished.Once he tells a lie,his nose would be longer.At
last,he falls into the belly ofa big whale and meets Geppetto accidentally.After the
adventures,Pinocchio finally grows up.He turns to be honest,hard-working and kind and he
becomes a real boy.This story tells us that honesty,hard-work,courage and kindness are
the most important to us.
木偶奇遇记是一本儿童小说。它是由意大利作家写的卡洛·科洛迪。它是关于匹诺曹淘气历险和他可怜的父亲,一个天使赋予生命的木偶,因此他开始了他的冒险。如果他想成为一个真正的
男孩,他必须通过勇气,忠诚和诚实的考验,在他的冒险,他削减因为他是一个贪婪的,他变成了一头驴。顽皮的。此外,他受到惩罚。只要他一说谎,他的鼻子就会变长的。最后,他掉进一只大鲸鱼的肚子,偶然遇到了杰佩托。后冒险,皮诺曹终于长大了,他变得诚实,勤奋和善良,他这个故事告诉我们,诚实、勤奋、勇敢和善良是一个真正的男孩。对我们来说最重要的。
『肆』 观看匹诺曹与小铃铛木偶剧的观后感。
观后感其实很好写,有套路的,一般来说800字到100字,主要分以下几个步骤
1.开篇立意,简单介绍所观看的影片.
2.表达自己的观点,分第一点第二点等序号方式,每个观点后举影片中的例子,加强自己观点.
3.结尾的时候结合影片简略总结自己的观点,也可以提几个影片当中不足的地方.
『伍』 动画片《木偶奇遇记》观后感
故事讲的是,老木匠杰佩托把木匠樱桃师傅送他的一段木头雕刻了一个小木偶,起名为匹诺曹。小木偶会跳舞,又会耍剑,还会翻跟斗。匹诺曹把脚搁在火盆上睡觉,醒来两只脚都被烧掉,他卖掉识字课本去看木偶戏,后来因为不听蟋蟀的忠告,落在了杀人强盗手里,被天蓝色头发的美丽仙女救下。匹诺曹希望有一天自己能够成为一个真正的男孩子,仙女答应了他的要求,但他必须学会诚实、勇敢、不自私自利并且派了小蟋蟀跟在他身边。匹诺曹因为说谎而遭受惩罚,鼻子变得越来越长。从木头到木偶,从木偶到长出驴耳朵到变成真正的驴子,到被推下海,给鱼吃了,重新变成木偶,然后又被鱼吞了……经过许多艰难与考验,匹诺曹终于通过善良的仙女实现了他的愿望,不再是个木偶,而变成了一个真正的男孩子。
这个故事说明人不要说谎,要有孝心、爱心、信心与勇气,才能真正成长,在社会立足。孝心是指匹诺曹对给予他“生命”的“父亲”杰佩托的爱,这种爱其实贯穿了整部电影或书的始终。匹诺曹一直是爱杰佩托的,只是有点儿小淘气而已。最后他也是出于对杰佩托的爱与歉疚,才下定决心改过自新的。至于爱心,可以举出匹诺曹救了因追捕自己而差点溺水而亡的狗狗阿利多罗的例子看出。他的本质是一个宽宏大量、富于爱心的小男孩。而信心和勇气,匹诺曹带领着杰佩托逃出鲨鱼的肚皮就可见一斑了。说谎一度是匹诺曹的缺点,但是他勇于改正。改正后,他自然能成为一个有血有肉的真正好孩子了。这部电影改编自意大利儿童文学作家科洛迪的作品,极具意大利童话特色,结合意大利民族热烈而又奔放的性格,融入了意大利语地中海滨盛放的鲜花一般丰富而美丽的词汇,对正义、善良、慷慨、真诚、勤劳、勇敢等优秀品质热情歌颂,同时对虚伪、邪恶、凶残、贪婪、狡猾、懒惰、怯懦等丑陋品质进行了谴责,比一般浪漫轻松的欧洲童话更具中世纪的古典色彩。电影诚然是很好看,如果能看意大利语原版的书就更好了。让我们从第一章开始吧。Come andò che Mastro Ciliegia, falegname, trovò un pezzo di legno, che piangeva e rideva come un bambino......
『陆』 匹诺曹历险记观后感
我读了一本书,书名叫《木偶奇遇记》。它是一本童话故事,主人公皮诺曹是木匠樱桃师父制作的一个调皮的小木偶,它的头脑简单、缺乏主见、好奇心强,但他又天真无邪、心地善良、聪明可爱,经过很多事情之后,皮诺曹终于由木偶变成了一个真正的孩子。读完了这个童话故事,我非常喜欢,觉得很有趣,也很感动。希望同学们闲暇时,能去看一看。
『柒』 木偶奇遇记读后感
这个暑假,我看了一本书——《木偶奇遇记》,这本告诉我战胜困难,走出困境,成功就会属于你。
这本书的故事是这样的:一个叫杰佩罗的老头用木头雕刻出了一个木偶,给他起名叫皮诺曹。皮诺曹一来到这个世界就到处乱跑,他爱搞一些恶作剧,做一些坏事,还爱撒谎。皮诺曹虽然一直想做个好孩子,可是又经不起诱惑,他逃学、撒谎……几次上当可还是屡教不改。皮诺曹的爸爸给他钱去上学,皮诺曹来到学校,学校里的孩子都嘲笑皮诺曹是个没脑子的木偶,皮诺曹很不服气,决心要做全班同学的好榜样。经过几个月的不懈努力,皮诺曹取得了优异的成绩,成了学校里人人皆知的好学生。皮诺曹虽然一直想做个好孩子,可是又经不起诱惑,被几个坏孩子骗到海边,误打误撞打伤了其中一人,又要逃离警犬的追捕。他受狐狸和坏蛋猫的欺骗,差点被它们吊死,幸亏仙女解救了他,仙女教育他不能说谎,每当他说一次慌他的鼻子就长一截,他连撒三次慌,鼻子长得在屋子里都不能转身了。后来,他又被卖到玩具国,变成一头驴子,又在仙女的帮助下,变回了木偶。最后,他在鲨鱼腹中意外与父亲重逢,并设法逃了出来。经过了这么多离奇的曲折以后,小木偶变得很乖,他每天去做工,有空还要学习,终于有一天成为了一个真正的小男孩。
以前我也爱贪玩,一玩起来就把自己该做的作业都丢在了脑后,如果有人来邀请我去玩具城玩,我也许也会像皮诺曹一样跟着他走。到底学习比游戏要枯燥得多。现在我知道了,玩要有个度,尤其是外出游玩前,一定要得到家长的同意,并按时回家,不让爸爸、妈妈操心。
《木偶奇遇记》的故事展示给我一个个鲜活的事例,时时提醒着我,怎样做一个又听话又懂事的孩子。
『捌』 木偶奇遇记的读后感怎么写
我读了《木偶奇遇记》以后有很多感想。
第一个感想是做人要诚实。在文中匹诺曹因为说谎被仙女惩罚了,长了长鼻子,匹诺曹说他再也不说谎话了,最后仙女原谅了他。尽管现在我们说谎不会像匹诺曹一样长出长鼻子了,但“仙女”也会惩罚我们,这个“仙女”就是我们的心灵。我们会因为说谎而脸红,而惭愧,所以我们也要向匹诺曹一样,改掉说谎的毛病,做一个诚实的好孩子。
第二个感想是不要被诱惑。文中的匹诺曹就是因为被两个坏人骗去当马戏团的演员,两个坏人说这样会挣到很多的钱,他就轻意相信了,所以他被马戏团长抓到笼子里了。我们现在是小学生,很容易被坏人欺骗。所以,我们要认真思考、仔细观察,才不能被这样的坏人所诱惑,成为一个不被坏人欺骗的好学生。
第三个感想是做人要勇敢。文中的匹诺曹和他的爷爷被大鲨鱼吃到肚子里了,匹诺曹和他的爷爷坐着木伐在鲨鱼打瞌睡的时候冲了出来,可是木伐散了,匹诺曹以为他和爷爷会被沉到海底的,可是他一直感觉有一种力量让他往海面上浮,然后他紧紧地抓住了爷爷,他们就一直浮到了海面得救了。我们以要勇敢地对待困难,在困难面前不要慌张,慌张会人的心很乱,办不好事。要是心不乱的话,就能把困难解决掉。
『玖』 木偶奇遇记观后感200字左右
很久之前,我读了《木偶奇遇记》这本书,让我至今记忆犹新。
从前,有一位老木匠,他用专几根木头做成属了一个木偶,取名叫皮诺曹。皮诺曹是一个非常调皮、捣蛋的坏孩子,常常让老木匠操心,他最大的缺点就是不诚实、爱撒谎,仙女施了魔法把他的鼻子变得又红又长,因此他被老木匠赶出了家门,受尽了苦难。从这个故事中让我明白了,做人一定要诚实,不能象皮诺曹那样爱撒谎,爱撒谎的孩子是一个道德品质很差的人,即使学习成绩名列前茅,大家也不愿意和他交朋友。我们少先队员,胸前佩带着鲜艳的红领巾,更应该从小养成好习惯,做一个诚实守信的好孩子